ARONE MEEKS | 'Big Wet II' | 2004 | Black ink on paper | Paper: 770 x 570 mmAt the heart of the work is Meeks unique visual languagewhere ancestral knowledge systems intersect with contemporary experience. Influenced by the Quinkan rock art traditions of Cape York and the ancestral presence of the Rainbow Serpent, his works evoke a living cosmology of guardianship, movement and renewal. Recurring formswaterholes, woven vessels and flowing systemsspeak to the interconnectedness of people, place and cultural responsibility.

Taicee Pearson Artist:

Dogai is a woman witch

"My name is Christine Holroyd

almost cliché representations and attempt to capture the beautiful

Matrix size: 20 x 12

The landscapes explored and represented in this exhibition are mostly Ngadjon-Jii Country- always was

as well as conceiving a new work for film

Other common motifs include depictions of her Grandmother’s Country

I had a crazy idea if only I could turn ochres and plant extracts into my own signature inks and it would be significant to me

The process of removing existing specimens of the original paper

“Looks too much like Art” cover

'Meeting Place' 2009