JACK WILKIE-JANS | 'Move to Make' | 2025 | acrylic on canvas | H 910 x W 910 mmIt is my hope that this workthough touched by the spookyis welcomed by audiences as a spiritual challenge to the fears we all carry and are striving to release. At the same time, I hope it affirms the peace, love, beauty, and safety that First Nations peoples are reclaiming through our Sovereignty ReRealised. We all long to see more clearly in the dark. In expressing this new equilibrium in both my spirit and my art, the spooky pieces are deliberately

swamps and creating sacred places

sometimes used to create limitless

PETER B MORRISON | 'Bithay Malu Apawlag II (Cuttlefish Garden)' | 2019 | Pen + ink on archival paper | 79 x 112 cm

He is anonymous

A bittersweet memory

are featured

My mother was an avid gardener and always came back with hibiscus cuttings from around the island

Today we still keep to these laws

My husband and I spent a lot of time out bush with our kids

The Sapur only come out at dusk to raid the fruit trees so that people cannot see them

The 12 postcards are housed in a special box designed by Ron McBurnie and contain a free sticker of the artist walking with his camera

Being able to share with others